「曲にするなら、それをある程度の構築物にして欲しい想いはちょっとあるんだよね」とYu Miyashitaさんは仰るのだが、私はこのところずっと真逆の関心を抱いていて。構築物というよりは、もはや崩れかけ自然と同化したほったて小屋のような音楽を作りたい。
まさしく探求者の音だった。
202109, by TOKINOGAKE
https://tokinogakecollective.bandcamp.com/album/202109
ld_ https://nazlorecords.bandcamp.com/album/recursion
If_ https://letterfromobject.bandcamp.com
me_ https://mesaelechtele.bandcamp.com
fd_ https://fendoap.bandcamp.com
sf_ https://sonaformo.bandcamp.com
ik_ https://ikts.bandcamp.com
nz_ https://nzworkdown.bandcamp.com
pq_ https://nankotsuteacher.bandcamp.com
kh_ https://kenjihamada.bandcamp.com
最低_ https://theworstvegetablecorner.bandcamp.com
VISUAL
Takashi Aoki / https://takashiaoki.com
mimikaki / https://twitter.com/mimikak41861852
MASTERING
uhitokiyosue / http://www.ondomusic.com/mesa.elech.tele/
Collecting fragments of our signature, by NZFE (時の崖_tokinogake)
https://tokinogake.bandcamp.com/album/collecting-fragments-of-our-signature
This work was produced by the method
that fendoap converts the sound sources of nzworkdown.
Markov chain.1 sample sampling, Hipparcos Catalogue,
Meteorological data, “Mumonkan” translation text data,
wine data distortion, photo data, unconstrained rules..etc are used.
NZFE
https://nzworkdown.bandcamp.com
https://fendoap.bandcamp.com