Kevin Drumm(ケヴィン・ドラム)の『Relief』に強い感銘を受ける。まるで電子音による激しい乱気流の中に突入したかのような、36分51秒に渡る轟音ドローン。
Fe
Fe, by nzworkdown
https://nzworkdown.bandcamp.com/album/fe
The View From Here
The View From Here, by nzworkdown
https://nzworkdown.bandcamp.com/album/the-view-from-here
It is a collection of ambient pieces scattered throughout my catalog. I am always looking out from this little world.
感受
「音楽を聴く」って、その人の発する音をその人自身がどう感じたのか? を追体験する行為でもあるし、それは聴く側の共通感覚の為せる技でもありますよね。制作といってもまずは何かの音にじっと感じ入るところからスタートするわけですし。この「感受する」という部分こそが全ての根幹な気がします。
森
森の中を歩いているときに聞こえる音のような、ノンリニア(非線形)で、かつ音それぞれが呼吸をするように立ち上がるような、そんな音楽を意識的に作ってみたい。どこか矛盾するようだけど、ずっとそんな音楽を夢見ている。
Dave Skipper ライブ
高円寺Oriental Forceへ。Dave Skipperのライブ。お世辞抜きで最高にクールだった。
旅先の海で拾ってきたという大きな木片や石、木の枝などを机の上にゴロゴロと並べ、モジュラーのスイッチを入れてスタート。今回は3つのパートに分かれており全体で2時間ほどの長さ。
まるでどのような音が鳴るのか確かめるかのようにゴツッ、ゴツッと石に石を投げつけたり、木の枝をポキポキ、バキッと折ったり、ときには鬼気迫る様相でノコギリやナイフをギコギコと激しく動かしながら木片を切断したり、そういったパフォーマンス性の高いライブだった。
私が思ったのは音のマテリアルを用意するパートはかなり静的で、それらのマテリアルをモジュラーで増幅させ執拗なフィードバックによって爆音ノイズを奏でるパートは圧倒的に動的だということ。その対比と抑揚の効いた展開は流石という感じ。
下の写真は石で石を叩くDave。箱に詰めた落ち葉をガサガサと揺さぶったり混ぜたりもしていた。シンプルに物と物との摩擦で音が発されるというプリミティブさにも私は強い感銘を受ける。
—
I went to Oriental Force, a live house in Koenji, Japan, to experience Dave Skipper live. It was cool as hell.
Dave had found large pieces of wood, rocks, and tree branches on his desk, which he had picked up from the ocean on his travels, and he switched on his modular synthesizer to begin the live performance. This time, the show was divided into three parts, and the whole thing lasted about two hours.
Dave threw rocks at rocks as if to see what kind of sound they would make, snapped and snapped branches, and cut pieces of wood with saws and knives, sometimes with a devil-may-care look on his face. It was such a highly performative live show.
I thought that the part where Dave prepares the sound materials was quite static, and the part where he amplifies those materials with modular synthesizers and plays blasting noise with relentless feedback was overwhelmingly dynamic. The contrast between the two and the effective development of intonation is a masterpiece.
In the photo below, Dave is pounding rocks with a stone, and also shaking and mixing fallen leaves packed in a box. I was very impressed by the primitiveness of the sound produced by the simple friction between objects.
Conc / No Conc
Conc / No Conc, by nzworkdown
https://nzworkdown.bandcamp.com/album/conc-no-conc
[WL-023] tokinokane, by Various Artists (Waveform Laboratory)
[WL-023] tokinokane, by Various Artists (Waveform Laboratory)
https://waveformlaboratory.bandcamp.com/album/wl-023-tokinokane
A compilation album on the theme of the New Year’s bell.
The bell of time, located near Atsuta Shrine, famous for Hatsumode (New Year’s visit), was made in Enpo 4 by the order of Mitsutomo Tokugawa, lord of the Owari domain. The existing bell was restored in the Showa period (1926-1989), but it became the concept art for this album as a monument that reminds us of the time that has been engraved on it.
Music, Mastering: Every Artists
Artwork: nzworkdown
Noise Riff Spark
Noise Riff Spark, by nzworkdown
https://nzworkdown.bandcamp.com/album/noise-riff-spark
Cover Design by nzworkdown
As Embers Cover The Sky
As Embers Cover The Sky, by nzworkdown
https://nzworkdown.bandcamp.com/album/as-embers-cover-the-sky
Cover Photo by Ryuji Sakai, a.k.a. hatsumu
https://ryujisakai.net
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